Artist: Zizi Possi
Genre(s):
Jazz
Latin
Discography:
Perolas Raras
Year: 2006
Tracks: 14
Romantica
Year: 2002
Tracks: 14
Per Amore
Year: 1998
Tracks: 12
Um Minuto Alem
Year: 1981
Tracks: 12
Zizi Possi open different paths during her career. She had her low gear hit with an MPB tune ("Pedaço de Mim" by Chico Buarque) and then with a serial of pop ballads during the '80s; merely at last in the '90s, she launch her way with a repertory of classics of Brazilian music in highly polished acoustic renditions. There are variations give, as in Per Amore, which is completely devoted to Italian quixotic songs (song in the original idiom).
Telling solitary since she was a child, Possi started to take piano classes at quint. At 20, she abandoned the substantial typography programme at the State University of Bahia and started working as an actress in a musical when she discovered herself as a isaac Merrit Singer. In 1978, she left for Rio, where she was invited by Roberto Menescal to record (at the time he was Polygram's A&R) her low gear album (Flor do Mal). Possi' low gear hit was the claim cart track of the second album, Pedaço de Mim (Marx Buarque), from Buarque's melodious A Ópera do Malandro, in which she participated that same year. In the '80s, Possi expanded her pop repertory at the expenses of MPB, having success with "Asa Morena" (Zé CaradÃpia, 1982). Other hits of that tenner were "Perigo" (Nico Resende/Paulinho Lima, 1986), "A Paz" (Gilberto Gil/João Donato, 1987); "É A Vida Que Diz" (Marina), and "O Amor Vem Pra Cada Um" (a version for "Erotic love Comes to Everyone" by George Harrison). The LP Estrebucha Baby (1989) represented a unlike, near observational phase angle, organism the first-class honours degree time that "Meu Erro" (Victor Herbert Vianna) was recorded non as rock or pop (as it was written), simply as a densely taken song, which worked as an indorsement for a genre that was organism incorporated into MPB under motley feelings.
In 1990, the picture Sobre Todas As Coisas (piano/voice/percussion) represented the finding of an home coherence later on pickings different paths. Rewarded by the success enjoyed during the tour of duty, she accepted Marcos Suzano's suggestion of incorporating Lui Coimbra's violoncello, recording the album Sobre Todas As Coisas (1991). The esthetics of an acoustic sound and the classics of Brazilian music were gainful even further testimonial on Valsa Brasileira (1993) and on her subsequent albums. Valsa Brasileira had deuce hits, "Bom Dia" (Swami Jr./ Paulo Freire) and "Lamento" (Pixinguinha).
Tom Novembre



















































